Homer is universally allowed to have had the greatest invention of any writer whatever. The praise of judgment Virgil has justly contested with him, and others may have their pretensions as to particular excellences; but his invention remains yet unrivalled... Editorial Note: This essay was originally published as Alexander Pope's Preface to the Iliad of Homer. The [...]
To the extent that I am a human person, Homer’s Iliad speaks to me, but my particular circumstances are my own. As a result, a great question will help all people, including me, and so might be applicable to my peculiar place in space and time without being exhausted by it. In one week I’m teaching [...]
A hero is someone you admire to the point of losing sleep over. A hero is one the ancients were tempted to worship, with the ardent hope that some of the strength from his dead body would seep into the ground and make their crops fertile. A hero, you admit, is better than you are, [...]
What we need today to re-create the beautiful city, an icon through which to see the glorious City of God, is a new “Iliad,” a new story that will manifest “what the many do together,” for what the many do together “rarely lacks a certain nobility, or beauty.” In his Metamorphoses of the City, Catholic [...]
Liberal arts, taught correctly, are essential in a liberal democratic republic. A liberal arts education can prepare citizens for life in a republic that cherishes its liberty. This June, I spent a week reading and listening to many conversations about Homer’s Iliad at St. John’s College, Annapolis. The rules of a Summer Classics Seminar are simple, explained [...]
In 1870, Heinrich Schliemann went to the Troad, the northwest corner of Asia Minor, and made up his mind, against all current scholarly opinion, that Priam’s Troy lay buried under the hill called Hissarlik. In the year 1822, a lad was born in Germany who was to turn the spade work of archeology into one [...]
It is impossible to love both the victors and the vanquished, as the Iliad does, except from the place, outside the world, where God’s Wisdom dwells. Published originally during the Second World War, Simone Weil’s The Iliad, or the Poem of Force and Rachel Bespaloff’s On the Iliad are two of the last century’s finest discussions [...]
Today’s offering in our Timeless Essay series affords readers the opportunity to join Glenn Arbery as he contemplates the importance of poetry to a well-formed soul. —W. Winston Elliott III, Publisher Last year when Dr. Kevin Roberts and I first met with the senior class in a course we were co-teaching, Dr. Roberts asked what [...]
The question of Homer’s existence is a little like the question of God’s. There, unquestionably, like the universe, are the Iliad and the Odyssey: But how did they come to be there? Were they composed by a single author, or were they gradually pieced together, as the classicist Richard Bentley said in 1713, from “a [...]
A Reflection on Three Questions Concerning the Re-telling of Sacred Stories and of Myths (An Academically Disreputable Inquiry) Questions: Are there canonical sources—gold-standards—for myths, and how would we recognize them? Should our re-visioning of sacred persons and mythical people stay true to the standard version? Should there be myth-dilations? […]
The quest for elements is the best way we humans have of getting to the roots of things and making sense of our experience. And working at this together, in a community dedicated to learning, is one of the best services we can do, both for our own souls and for those of our fellow [...]
We should learn to cultivate the unwillingness to tolerate the unwitting, untold lie in the soul, and the wit and wisdom to transmute the unavoidable lying of any utterance into the telling lies that reveal truth. The first lecture of the school year is, by an old tradition, dedicated to the freshmen among us. Whether you [...]
1. On Seeing Homer Epic is that kind of poetry—as distinguished from lyric and epic poetry, the poetry of the lyre and of action—which is particularly named after the word, for epos means the word as uttered in speech or song. Hence in reading the Homeric epics we certainly should, in addition to attending to the [...]
Briseis is revealed as Achilles’ Achilles’ heel in Wolfgang Petersen’s Troy (2004), a cleverly postmodern retelling of the plot of Homer’s Iliad. Homer himself enclosed the Calydonian boar hunt in his Iliad, a myth within the myth, as both a nod to what was previously big box office for bards, and a guide to old [...]