Richard Wagner’s grand operatic drama The Ring of the Nibelung is rightly celebrated as one of the finest accomplishments of modern art. The story that Wagner tells, with the unfolding music meant to convey a primordial sense of enchantment forever lost to us, is about the tension between love and lust; the sacred and profane; [...]
Love has inspired countless composers, some of whom have written pieces dedicated to, or directly inspired by, their own beloveds. Here are ten of the best musical love letters ever composed. 1. Wagner: Siegfried Idyll Though his reputation rests on his big, long, and loud mythological operas, Richard Wagner was also capable of composing on a [...]
O strange awakening to a world of gloom, And baffled moonbeams and delirious stars, Of souls that moan behind forbidden bars, And waving forests swept by wings of doom; […]
In “Wagner’s Parsifal: The Music of Redemption,” Sir Roger Scruton guides us—like Virgil—through the twisty cosmos of Richard Wagner and leaves us at the gates of paradise. Those who desire a treatment of Wagner’s final opera without the pollution of ideological criticism will find a wonderful breath of fresh air in Scruton’s treatment of the [...]
The sheer power and magnitude of Wagner’s “Parsifal”—the fruit of his recent conversion to a vague form of Christianity—shook the resolve and philosophy of his long-time disciple, Friedrich Nietzsche, to their foundations. Having recently watched a superb and breathtaking performance of Wagner’s last and perhaps greatest work, I feel constrained to share some thoughts on [...]
Richard Wagner’s legacy has been overshadowed, and some would say permanently marred, by the manner in which he became the poster child of Hitler’s grotesque Third Reich. Yet should we condemn his music for this reason? Nice to see your music selections. But Wagner, your favorite composer! Say it ain’t so, Joe! The above-quoted words [...]
The twenty-two-year-old Richard Wagner composed this dramatic overture as part of the incidental music for a play about the explorer, written by the composer's friend, Guido Theodore Apel. Wagner also wrote a chorus and orchestral epilogue for the play, but these have been lost. At its premier the music “astonished everyone and was tumultuously applauded," [...]
In truth, much of my favourite music is not sacred but profane, insofar as it is not overtly religious or in the least liturgical; and yet these profane favourites are certainly sublime, reflecting the goodness, truth and beauty of Creation, the harmony of the cosmos and the music of the spheres… Several months ago I [...]