Religion and the Rise of Western Culture: Christopher Dawson

by Winston Elliott III

Christopher DawsonIn Religion and the Rise of Western Culture, Christopher Dawson addresses two of the most pressing subjects of our day: the origin of Europe and the religious roots of Western culture. Click the link below to find this, and other books by Christopher Dawson,  in The Imaginative Conservative Bookstore!

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Presidential Power and the War on Terror: Whence Congress?

Greg Weiner terrorism

Greg Weiner

by Greg Weiner

Sunday’s New York Times carries a less than astonishing report, following the Senate Select Committee on Intelligence’s hearings on John O. Brennan’s nomination to be Director of Central Intelligence, that President Obama’s terrorism policies have turned out to be remarkably similar to his predecessor’s. “Obama’s Turn,” the headline runs, “in Bush’s Bind.” Bind? The suggestion is that circumstances compel the policies—a variation on the narrative, as George W. Carey has suggested with a tinge of doubt, that presidents with access to a purported black box of secrets unknown and unknowable to mortals understand the need for security policies whose urgency the rest of us are in no position to evaluate.This makes for a compelling plotline, but William of Occam might be able to identify a simpler one: namely, power. That thesis wields considerable predictive and explanatory capacity. Presidents want power, maintain it, try to expand it. Which news is not going to make the front page of The Times. The problem is that in the age of terrorism, no one seems inclined anymore to resist them—and that is very much worthy of notice. [Read more...]

Christopher Dawson and the History We Are Not Told

christopher dawson

Christopher Dawson

by Jeffrey Hart

A people that no longer remembers has lost its history and its soul. -Aleksandr Solzhenitsyn

The temples of the gods are the most enduring works of man. -Christopher Dawson

The first impression one has upon opening a book by Christopher Dawson is of what can be called the romance of learning, a romance experienced as an independent aesthetic category apart from the substance of that learning. We experience here the aesthetic appeal of sheer erudition, the sort of excitement that pervades Montaigne’s Essays, Burton’s Anatomy of Melancholy, Browne’s Religio Medici, and many passages in Paradise Lost. It is the special aesthetic appeal of Old Books, an appeal that Walter Pater and T. S. Eliot knew well how to exploit. 

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